Zach Blas’s work ‘Contra-Internet’ explores the glowing, gushing and violent ends of Silicon Valley’s utopian ideologies. Its centerpiece, a short film titled ‘Jubilee 2033’, follows Ayn Rand on an acid trip to the future, where her ideas, adopted by Californian tech moguls, are played out to an uncanny extreme. The film features gender non-conforming performance artist Cassils in an unforgettable role that queers the presupposed category of “user” beyond recognition. Rife with overcooked special effects, the film embraces humor over voracious critique, leaving signal processing to the mind of the viewer. I interviewed Blas on the occasion of his current exhibition at Art in General in New York and the film’s European premiere at the 2018 Berlinale Film Festival in its Forum Expanded program. A version of Contra-Internet was also shown at transmediale 2018 face value.